It’s rare for an totally developed debut album to turn up
out of the blue. It’s even more rare for one to turn up which bears no relation
to anything else around. And to compound these twin delights, it’s more than
rare for it actually to be good.
Grísalappalísa’s Ali,
released last month, is this thing.
From Reykjavík, Grísalappalísa are and aren’t easy to get a handle on. Aren’t because the album is entirely in Icelandic. Are because their direct, forcefully delivered music has detectable roots.
The band have been going less than a year and are fronted by
two singers (shades of Sugarcubes): Gunnar Ragnarsson and Baldur Baldursson.
Ragnarsson used to be in Jakóbínarína and Baldursson is known as a poet.
Bassist Bergur Thomas Anderson is from Oyama, while Tumi Árnason (sax) and
Albert Finnbogason (guitar) are from The Heavy Experience. Drummer Sigurður
Möller Sívertsen was also in Jakobínarína.
Thanks to the Reykjavík
Grapevine, it’s possible to discover that Ali is a concept album about a woman called Lísa. Whoever she is or
was, it can’t have been much comfort that this lot had her on their minds. Especially
so, considering the creepy paintings of condoms in the album’s word-stuffed booklet.
Handily, there is no need to know what it’s all about as Ali is so strong – strong as in powerful.
Ragnarsson and Baldursson bark out the lyrics over a clipped, guitar-driven chug
with shades of motorik, Killing Joke, Belfegore and Talking Heads. But it all coalesces
to sound like nothing else. The presence of sax may initially seem off-putting,
but it’s neither distracting or superfluous. Someone’s paid attention to King
Crimson.
Even when the tone lightens on “Hver er ég?”, a sense of menace
or distress remains. Before that, “Brost' ekki of bjart” is an anthem which may
get lighters raised aloft. Or may scare unsuspecting audiences. Ragnarsson and
Baldursson sound pretty angry
It’s impossible to work out what this would be exactly like
live, but it’s certain that when experienced in person the impact will be nothing
less than that of K-X-P.
Also only on Kieron Tyler worlds of music:
- Eplemøya Songlag - Möya Og Myten: Interview With Norway’s Musical Story Tellers
- Fonal Records / Shogun Kunitoki
- Helmi Levyt - Finland’s Voice Of Love And Madness
- Hubro Records – A Welcome To Norway’s Bold: Interview With Andreas Meland
- Frida Hyvönen - To The Soul, And What Came Before
- Imandra Lake: Seesamseesam
- Joensuu 1685 And Brad Laner On Splendour Records
- Kiki Pau – Interview: Through Finland’s Psychedelic VortexTo The Pines
- Mari Kalkun
- Mr Peter Hayden And Born A Trip – Interview With Finland’s Guiding Light On The Horizon
- Anna von Hausswolff – Ceremony And Singing From The Grave With Sweden’s Mischief-Maker
- Kerkko Koskinen Kollektiivi – Not For Finland Only?
- Motorama – Interview With The Sound Of Young Russia
- Papir - III: Interview With Denmark’s Non-Hierarchical Instrumentalists
- Röövel Ööbik: Young Godz Have Fun
- Seksound – Estonia’s Enigmatic Label And Tartu Popi Ja Roki Instituut
- Jessica Sligter – Interview: From Fear And The Framing To The Ultimate Embodiment Of Human Communication
- Susanne Sundfør: A Night At Salle Pleyel
- Susanne Sundfør: Spot Festival 2010 And The Brothel
- Susanne Sundfør: The Silicone Veil
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