Tuesday 8 December 2009


Everyone else is at it - so why not me?

Great stuff filters from the ether every day, so this was pretty tough...


Fever Ray (Rabid) and Vince Taylor - Jet Black Leather Machine (Ace) are missing, but I couldn't work out where to put them.
1. The Soundcarriers - Harmonium (Melodic)
2. The Amazing – same (Subliminal Sounds)
3. Benjamin Biolay - La Superbe (Naïve)
4. Shogun Kunitoki - Vinonaamakasio (Fonal Records)
5. Blk Jks - After Robots (Secretly Canadian)
6. Oh No Ono – Eggs (Morningside)
7. Soap & Skin - Lovetune For Vacuum (PIAS Recordings)
8. Papercuts - You Can Have What You Want (Memphis Industries)
9. Mayer Hawthorne - A Strange Arrangement (Stones Throw)
10. Pierre Lapointe - Sentiments Humains (Audigram)
11. Múm - Sing Along To Songs You Don’t Know (Morr Music)

1. Various - Where The Action Is (Rhino) - Andrew Sandoval and Alec Palao deserve medals for this.
2. Harmonia & Eno ’76 - Tracks and Traces (Grönland)
3. Various - Clap Your Hands Stamp Your Feet (Excelsior Recordings)
4. 13th Floor Elevators - Sign Of The 3 Eyed Men (Charly) - hugely spotty mastering and the utterly useless reunion live tracks aside, this is what you've needed for 30 years.
5. The Inner Space (i.e. Can) - Agilok & Blubbo (Wah Wah)
6. Various – Saint Etienne Present Songs For The Dog & Duck (Ace)
7. The Master’s Apprentices – same (Aztec Music)
8. Various – Britain Learns To Rock (Fantastic Voyage)
9. Jacques Dutronc – Et Moi Et Moi Et Moi (RPM International) – It’s one of mine, but it’s great, so there.
10. Heldon – same (Wah Wah)
11. Pari Zangeneh – The Series Of Music For Young Adults Iranian Folk Songs (Institute For The Intellectual Development Of Children And Young Adults) – OK, it’s a bootleg, but how else are you going to get a 1976 Iranian album that sounds like the middle-eastern Stereolab?

Sunday 22 November 2009


Just reviewed M Jaumet's (he of Zombie Zombie) album, Night Music. How on earth did he get Carl Craig on board? End up wishing he'd had the oomph to mangle/recast his favoured templates a bit though:

Tuesday 17 November 2009


A few weeks ago I had a fun (and hugely educational) time at Lost In Music, a festival-come-showcase in the city of Tampere dedicated to current music from - yes - Finland.

Here's what I wrote:

(Above: Manna [Matt Jordan/www.youaintnopicasso.com])

(Above: Reckless Love [Minna Pehkonen])

Sunday 15 November 2009

Children Of Nuggets / The Nashville Ramblers - The Trains

Four years ago I wrote liner notes for Rhino's Children Of Nuggets 4CD box set, an all-encompassing collection of '60s-influenced bands from 1976-1996. The words took up 73 pages of the book:

Back then I was convinced that The Trains by The Nashville Ramblers was one of the best tracks of the 99 collected and wrote this:
"The Trains might be one of the most spine-tingling songs on this set, but its also amongst the most obscure and its original release is impossible to find. Despite being based in San Francisco and originally having coming from San Diego, The Nashville Ramblers only vinyl appearance was in the UK, via The Trains inclusion on the Brit-only mod-comp LP American Heart And Soul. Children Of Nuggets marks the first-ever proper release of this lost gem.

The Nashville Ramblers formed in 1985 as a veritable supergroup. Carl Rusk had been in The Mystery Machine, Ron Silva was in The Crawdaddys and Tom Ward spent time in The Gravedigger V. Bassist Tom Ward says “our aesthetic seemed a little odd, even among our own scene. I guess because it was pop, in a way, and among the diverse revivalist audiences of Southern California in the mid-‘80s, we'd find ourselves trying to bring the Everly Brothers to a roomful of suedehead scooter boys – or bringing British beat to people who wanted pure '66 fuzztone.”After inexplicably failing to make an impact as The Nashville Ramblers, the band changed their name to The Black Diamonds in 1988 and moved to New York in the early ‘90s in another attempt to carve out a niche. Yet again though, it wasn’t to be. Pity."

Now, this has come in to the world: an amazing performance of an equally amazing song that confirms that this really is one of the greatest songs ever. Extraordinary.

Tuesday 10 November 2009


Just reviewed this intriguing and fairly bizarre compilation:

It doesn't make the case that the French - pre-Johnny Hallyday - were making tear-your-head-off rock 'n' roll, but instead says that rock 'n' roll penetrated the consciousness enough to produce these records.

A bunch of which are bonkers: accordions and clarinets on '50s rock 'n' roll!

Wednesday 4 November 2009

Rockfort on Resonance 104.4 fm

Appeared on the Rockfort show on Resonance 104.4 fm last night:

Rockfort is the only British radio show dedicated to French-language music, so it was a treat to be able to spin some choice cuts – especially to give Pierre Lapointe’s incredible music an airing.

Pierre Lapointe is Canadian - and so are Les Lutins, Michèle Richard and Alexandre Désilets. I discovered them all while in Montréal this summer:

Tuesday 3 November 2009

BLO: Chapters and Phases in Sweden's Sonic magazine

The most recent RPM International CD collects the first two albums by Nigeria's Blo on one disc. They're an incredible band: a psychedelic African take on western rock that sounds like nothing else: http://www.cherryred.co.uk/rpm/artists/blo.php

It's just been covered in Sweden's Sonic magazine, in an 8 out 10 review!
Here's a translation:
“Nigeria was a popular haunt for the British Rock elite at the beginning of the 70's. Ex-Beatle Paul McCartney went to the country, which was at the time ruled by a military dictatorship, with his band Wings to record “Band on the Run”. Ginger Baker moved to Lagos where he opened his own recording studio and also recruited members for his band Salt, who then toured around the world with him. After this, two of the members of Salt (who had their roots in the sixties band The Clusters) formed the band BLO, whose first two albums have long been coveted by connoisseurs of psychedelia and stone-hard Afro-funk . Chapters and Phases contains “Chapter One” (1973) and “Phase II”

Two days before Christmas Eve 1972 BLO played their debut concert for 10,000 people at Lagos City Stadium, and contemporary newspaper articles say they took the crowd by storm. This is easy to understand when you hear songs like the hypnotically flowing “Chant to Mother Earth” and “Preacherman”, the latter sounding like James Brown if he had been an LSD-tripping hippy in San Francisco 1967 and had “Tago Mago”
-era Kraut-Rock group Can as his backing band. “Miss Sagitt” is spiced with brutal fuzz-guitar and brings to mind the sound that might have been produced if the market in Marrakech had opened a branch in Haight Ashbury and booked Country Joe and the Fish as band in residence. After some changes in personnel BLO recorded four more albums before the band split up at the beginning of the eighties. Those four albums are more in a straight disco and funk vein.”

Friday 30 October 2009

Vince Taylor in Rolling Stone

Earlier this year I had the privilege of compiling and writing the liner notes for a comp of Vince Taylor, issued by Ace in the UK. Jet Black Leather Machine was the first time that a single compilation drew from all parts of Vince’s wild ride through the music biz:

It really was a wild ride. Just listen to the deranged version of My Baby Left Me.

Now I’ve noticed that Rolling Stone’s David Fricke has reviewed it:

Thank you David.

RPM International

Since around May 2009, I’ve been working on releases for RPM International, an offshoot label of RPM, which is part of Cherry Red Records.

The idea is to reissue music that isn’t British, and isn’t American. There’s masses of stuff out there, and masses of it is great.

Language is no barrier anymore…

Up to six so far: Sylvie Vartan, Jacques Dutronc, the first three Golden Earrings' albums and Blo . Roll on more.





Thursday 29 October 2009


Got the new Sylvie Vartan album, Toutes Peines Confondues, and it's just not that great:

It could be great, but it isn't. No doubt it's cleaning up in France, but it's hard to see what it's appeal elsewhere would be.

Someone this iconic could afford to push a few boats. Couldn't they?

A pity. Oh well.